Usually, I do not review movies or songs or books on this blog. It is really not my forte. In fact, I suck at it. But, sometimes there is so much to say that a single update on Facebook cannot do justice to my thoughts.
I had three movies in my "to be seen" list this year. Since no one, I repeat, no one, wanted to provide revenue to SRK, Ra-One went right out of the window. Though I had tempted mom into Rockstar by reminding her that it is the same guy who directed Jab We Met (and that is how I made her watch Love Aaj Kal), the movie unfortunately hasn't released yet; which means it too went out of the list temporarily. That left us with the Tam "magnum opus" of the year. And, given that I was waiting for 7aum Arivu (7th Sense) with bated breath and wanted to very badly watch it the first day, it is only fair that I dedicate a full length post to its brilliance.
Some quick observations down under (yes, feel free to diss as you please):
- Surya, you are an extremely handsome guy, definitely so by Tam standards. And I totally adored you in that Bodhidharman role. The make up actually suited you quite well. And, your look and costume in the climax fight were way too brilliant. You are one of those few people who can look good and calm and brave and extremely drool worthy all at the same time, in a fight sequence. Keep it up please.
- Unfortunately for you, that ain't ever enough for the Tam audience. If that is all you are giving, we had rather have lots and lots of it, than little bits and pieces. Where were you hiding for a good 15 minutes in the second half of the movie? Yeah, yeah, in that water tank getting some DNA revamping and all that. But, it was a huge waste of our time without you.
- Which brings us to the next item on my list. Have you guys heard of something called "editing"? All that this movie needed more than anything else was a good pair of scissors. A snip there through that sad song, a snip here through the Chin villages, a snip right across Shruti Hassan's dialogues, we would be good today. By leaps and bounds.
- Oh yeah, talking about which, for all the "Tam"ness that the movie propagated, pray what language was the heroine talking? What the hell does "vel" mean? Oh, she was actually referring to "veyil", the sun and not "vel", the arrow? Please, oh please, get your accent right? Else, just let someone else dub for you. Let us all not kill Tam while we are still alive.
- And talking about the "Tam"ness, I think we had some confusion around the story. Were we talking about China attacking India, or Tamil Nadu? Why were we bringing too many countries into the picture? There was bio warfare at one end, the Tamil Eelam at another, the fact that we have all forgotten our history somewhere else, and then the dilution of Indian history into Tam history. And, what was with all that random, patriotic senti? No Sir, it just did not fit in.
- I do not want to talk any further than everyone else about those songs. Should we start thinking of some other music director for Surya? It is just becoming too stereotypical, and not so nice any more. But, that one song, shot in exotic locales, was damn good. Good feast to the eyes and the ears for both genders and all ages.
- That villain guy is a good find. He was actually scary. All along the way back, I was nervously looking around for a tall Chin guy who might hypnotize me into killing myself.
But, you know what hurt me the most. When the movie got over, mom said, "We may as well have watched Velaayudham. It would have been wholesome entertainment at least". Perhaps, Surya, it is time for you to start meddling with story lines and not just sit back and trust directors who have proven right for you in the past.